On Saturday night TP and I went out to a play put on by a queer theater group in HarborCity.
For us, going out is an excuse for TP to be charming, dark, and handsome, if not tall, and an excuse for me to be a flirty femme, who is sometimes fatale. Really, for us, the theater started far before we made it to the actual location of the event, and the costume designers were the stars. I was wearing a v. low cut wraparound black dress with a lace hem, my new heels, and my new red dangly earrings. TP was wearing a nice shirt and tie that I love, and, in the interest of full disclosure, was a present from me. We looked nice. Hot, even.
There was some drama about getting to the theater (that pun was not intentional). But we got there and got our tickets and watched a play set in a pink motel room, that was very queer and highly, highly surreal. Now, as we walked in, there was a lady, who was maybe 70, and had a nice white bun of hair on her head, and a nice husband at her side. She smiled and winked at me. She was starting to flirt. As we sat down and looked through the programs, she caught TP's eye and gave hir an approving look, and then looked me up and down, as if to say, "Nice catch". It was hilarious.
After the show there was a little gathering with wine, cheese, and disgusting Mike Hard Iced Tea. It was fun, the cast and crew were maybe 10 people, and the audience was only 15, so it was an intimate crowd. Or at least that's what the little old lady thought. She flirted with everyone, could talk to anyone. It was amazing, the thing is that it was this very funny mix between the somewhat standard old-lady-nice and the classic somewhat bawdy flirt. I loved it.
We talked to one of the troupe founders about potentially touring one of their shows to ELAC and URedState. We mingled. We never mingle -- we are both shy and sometimes awkward, but somehow that husk started to fall away in that setting. I love being queer out in the world. Being femme, holding TP's hand, having people recognize us for who we are -- so often we get read as something other than how we think about ourselves, even, and most painfully, within GLB communities. But in that theater our performances were respected.
That was a big part of what made it such a lovely evening. There was also the moon, the booze, and the sweetness of any moment spent with TP. Ze is flying home next Wednesday, and I'm very sad about it. But that is a whole 'nother story. I want to find more places where I can feel recognized in a sexy black dress as the radical queer I am, and I also want those places to be comfortable with me being in carhartts and a button-down shirt. Do you think I'm asking too much?
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2 comments:
"But in that theater our performances were respected."
Very cool. And yes, sometimes there is no substitute for the little black dress. Sounds like these have been some very good times.
Ah, Corinne, you know I love this... :-)
To me, dressing "for performance" is not only an opportunity to bring artistic flair to oneself as a canvas, but also a way to show respect to oneself, one's comrades, and an occasion, and, indeed, to life itself. To say that all of these things matter.
That is why the "casualness" that dominates American dress is more insidious than it may appear. It is really another face of mindless consumerism, of quantity over quality. Quality---of garment, of moment, of life---does not matter.
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